"Vulgar, violent and gaudier than sunsets on the Keys, Dorsey's roadshow is some fun."
- New York Times, Sept. 5, 1999
"Some of the most wacky villains and situations since Hiaasen stuck a plastic alligator
- Chicago Tribune
down a stranger’s throat and called it Tourist Season."
"This is a wonderful, rollicking read that propels Dorsey into the same league
- Fort Pierce Tribune, August 10, 1999
as fellow Florida writers Hiaasen and Elmore Leonard."
"Impossible as it sounds, Dorsey has muscled in on the big guns' territory and ripped the place upside down."
- Miami Herald, August 8, 1999
"Dorsey has put his own spin on what cried out for resuscitation, the Florida crime novel. ...
- Sarasota Herald-Tribune, August 17, 1999
[He] delivers the good exponentially."
"The [novel] is fiecely energetic, outrageously funny ... Imagine Hunter S. Thompson
- The Tampa Tribune, August 1, 1999
sharing a byline with Groucho Marx."
"I haven't laughed as much in a long time. ... Once Dorsey gets his story in gear, there's no holding back."
- Vero Beach Press-Journal, August 8, 1999
"If Florida Roadkill were a dance, it would be the jitterbug - fast and acrobatic with no time to stop."
- Fort Lauderdale Sun-Sentinel, August 8, 1999
"Want to end your summer beach reading with a wild-and-crazy tale of gonzo criminals making mayhem all over the state? Then Tim Dorsey's Florida Roadkill is the book for you."
- Daytona Beach News-Journal, August 1, 1999
"This rollicking, over-the-top novel is a blast."
- Publishers Weekly, July 5, 1999
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- Booklist, April 15, 1999
"Dorsey demonstrates a deep knowledge of Florida history, past and present, and possesses the sideways point of view required for survival south of Ocala. Florida Roadkill will earn the author comparisons to established area novelists; it guarantees fall-to-the-floor laughter, and a climactic melee worthy of its title.
- Tom Corcoran, BookPage, August 1999
"Dorsey's book leaves a reader with Hiaasen deja vu. The plot revolves around millions in tainted money, deadly babes, cocaine, lots of chases and (in a twist that would please Hiaasen) all of the characters end up at the World Series in Miami. But Dorsey, an editor at The Tampa Tribune, ... doesn't imitate Hiaasen and others in the genre. Rather, he absorbs their style and tells a crisp tale that is original, entertaining, often exciting and occasionally hilarious. His subtle social commentary is also reminiscent of the older Florida novelists -- ever since MacDonald, one of the best ways to vent about the corruption of paradise has been vicariously, through novels."
- Weekly Planet, June 10-16, 1999
"Dorsey's wicked sense of humor and astounding knowledge of Florida's history and legends add levity and local color to this dark tale of homicide and mayhem, which won't win many friends at the Florida Tourist Bureau."
- Library Journal, June 15, 1999
- James Hall, author of Body Language and Bones of Coral
- Les Standiford, author of Presidential Deal
"I loved this. Thomas Pynchon hacks it out with Hunter S. Thompson: referee, Elmore Leonard. But much more, too. I was close to being sick with laughter at times, other times just close to being sick. Great fun, so jittery and underwritten. More books about Serge, please. For my money he can just go up and down the peninsula stealing really good cars and killing people (after first lecturing them on local history)
forever.” - M. John Harrison, author of Signs of Life and The Course of the Heart |
"J ust when you thought the south Florida crime novel was played out and gasping for fresh air, along comes Tim Dorsey to give it a hot spike of pure adrenaline called
Florida Roadkill. Think Hunter Thompson leaving Las Vegas and taking Fear and Loathing through the Everglades on the Tamiami Trail. Think Thomas Pynchon on a psychotic break. Think Elmore Leonard mainlining speedballs, or James W. Hall tripping on Ecstasy. Think Quentin Tarantino whispering in Carl Hiaasen’s ear, “You don’t go far enough -- out!”
This is a wild-at-heart, pinball-machine of a novel, teeming with oddball kooks. crazies and maniacs as they careen through Florida on a kaleidoscopic crime-and-violent-mayhem spree, with stops in Tampa, Palm Beach, Cocoa Beach, Miami Beach, Key West and the Dry Tortugas.
Ultra-sex, mondo-drugs, Satanic rock ’n’ roll. Lap-dancing coke whores, money-laundering life insurers, ruthless retirement-village scammers. Five million bucks in a suitcase dropped in the trunk of the wrong car, with a whole convoy of homicidal wackos in pursuit – and every damn one of them stops in Miami to take in the last game of the World Series. The dumb bad guy is hooked on cocaine and cartoons; the smart one is obsessed with Sunshine State lore; the babe is a walking wet dream who’s twice as deadly as the men. And get this: There are two good guys, and one of them is a lawyer.
This is Florida in all its decadence, corruption, dysfunction, cupidity, stupidity and bizarro violence. But native Floridian Tim Dorsey still loves his home state – the pure Florida that hasn’t been completely paved over – and he eloquently communicates his abiding passion for its beauty and history.
But mainly, Florida Roadkill is a hyperkinetic, ultraviolent, crazily lyrical and hysterically funny crime fiction with a post-modern spin. From murder by Levis 501s to the Running of the Hemingways in Key West, this novel is overdosed, overdriven and over-over-the-top.”